In Donny Cates and Ryan Ottley's current ongoing series, Bruce Banner controls Hulk like a starship, dividing his psyche into three distinct parts. Marvel has teased a new King in Black level threat for the Hulk as the new era for the hero continues. Marvel promises the Hulk will smash the Jade Giant to his core and fuel Banner's starship for the "foreseeable future." In a brand new preview for Hulk #6, the most terrifying form of Bruce Banner is being teased, as a new variant cover shows off the twisted new Hulk. Marvel Comics has unveiled the deadliest Hulk ever, as the previously teased villain is named Titan. In the end, it’s grey, overlong and considerably more boring than it is bewitching.Warning! Spoilers for Hulk #6 by Marvel Comics Needless to say, it lacks the momentum or the narrative robustness to stand up to those ambitions. Rather than say anything about the nature of its titular concept, or the vengeful bloodshed it has the potential to inspire, the movie instead meanders through genre clichés and down tedious blind alleys in search of the compelling feel of a twisty binge-watch miniseries. Ultimately, Rage is an exhausting film, boasting a prestige sheen which undermines the potential grit of its morally murky storytelling. It’s another example of the film’s over-abundance of furniture, packing in so much stuff and so much narrative bloat that the watchable zip of its first half entirely ebbs away as it tosses in more and more mystery elements, few of which come to anything by the time the credits finally do roll. Visually, the movie looks grey and insipid, with Kai Chen Lim’s score laughably overwrought at times – particularly in the way its quasi-operatic excesses overwhelm the climactic scene. Kospiah’s overly convoluted script, but he can’t transform what he’s given into something which hits an emotional nerve. The same can’t be said for Theo, who’s often wooden and is never believable as a stricken man on a desperate hunt for revenge. In a mostly non-verbal performance, she conveys the horror of what she has experienced as well as her eventual determination to piece her life back together. Beveridge is fantastic as a woman left almost mute by her trauma, unable to speak to either her parents, Noah or her therapist about what happened. ![]() Norton’s detective is a nothing character, tasked largely with dolloping out pages of exposition without so much as a flicker of emotional depth.Īs for the central couple, it’s a game of two halves. However, what follows quickly runs out of steam and fizzles to nothing. In short, it’s exactly what you’d expect from the New Aussie Extremity movement. The character relationships are nicely sketched and the home invasion itself is tense, unflinching and ultimately very brutal. Rage is a sprawling, bloated beast that extends over two and a half hours, enormously outstaying its welcome in the process. ![]() ![]() A month later, a seriously injured Noah wakes up in hospital and is baffled that Detective John Bennett (Richard Norton) has not yet found the remaining perpetrator. A pair of thugs enter their home, murdering Rebecca and raping Maddie before Noah arrives home and kills one of the assailants. Soon, though, Noah is having illicit sex with colleague Sophia (Natasha Maymon) and spurns a dinner invite from Maddie, who is venting over a bottle of wine to sister Rebecca (Nic Stevens). Things start disarmingly quietly, with an enigmatic prologue giving way to mundane but wry scenes of married couple Noah (Matt Theo) and Maddie (Hayley Beveridge) arguing about how to squeeze a tube of toothpaste.
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